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Work by Yarli Allison and Leitzia Miro selected for the Manifestations
exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’
(grant numbers AH/W001667/1 and IRC/W001667/1).
Photgraphs documenting the installation at the Attenborough Centre for the Creatve Arts (ACCA) of work by Yarli Allison and Letizia Miro entitled This is not for Clients
These images are supplied courtesy of Sussex University
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Work by Yarli Allison and Leitzia Miro selected for the Manifestations exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
This document contains three texts that were used as interpretation in the Manifestations exhibition. They are an artist statement on the work and a bio by Yarli Allison and a bio by Letizia Miro. All documents were presented as written
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Work by Yarli Allison and Letitzia Miro selected for the Manifestations exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
In this work Yarli Allison collaborates with Letizia Miro, a Spanish poet and sex worker who migrated to London many years ago. The moving-image work explores the story of Letizia as an ‘ideal’ character for the clients’ imagination in a dual-screen setting. The image of ‘the ideal’ is initially an aesthetically/ mentally pleasing product as well as a coping mechanism. The work aims to reveal the less visible material reality behind the curtain of ‘the ideal’, by combining Letizia’s creative writing, voice performance, Littio X’s sound art, and Yarli’s digital modelling as a semi-fictional documentary.
The screen work was supported by an installation of sculptural objects, fabrics and drawings
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Work by artist Whiskey Chow and selected for the Manifestations exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
Photgraphs documenting the installation at the Attenborough Centre for the Creatve Arts (ACCA) of work by Whiskey Chow entitled You Must Everywhere Wander
These images are supplied courtesy of Sussex University
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Work by artist Whiskey Chow and selected for the Manifestations exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
This document contains two texts that were used as interpretation in the Manifestations exhibition. The artist bio and artist statement were both written by Whiskey Chow and were used extant.
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Work by artist Whiskey Chow and selected for the Manifestations exhibition by curator Laurence Hill for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
'You Must Everywhere Wander' is a short film made by Whiskey Chow. In their words, 'Showcasing an imaginative queer masculine body-scape, where the spices used in Chinese cooking grow as spectacular natural landscapes. This work is a hybrid of filmed performance, CGI animation and sound art. It draws on Chinese myth and a sense of belonging from an Asian queer diasporic perspective.
you must everywhere wander 你必顧盼 is a meeting point of transgressive queer desire, a dream homeland and reality. We are what we eat, we are what we remember, we are what we believe.
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Photgraphs documenting the installtion at the Attenborough Centre for the Creatve Arts (ACCA) of work created by Roibí O'Rua entitled D1G1TR@N: REVe/oLA/uTION
These images are supplied courtesy of Sussex University
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Work created by artist Roibí O'Rua during an artist residency, for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
This document contains three texts that formed the exhibition interpretation that accompanied Roibí O'Rua's work D1G1TR@N: REVe/oLa/uTION.
The text about the work and her bio were written by Roibí O'Rua and the text that accompanied the 'zine and requested donations was written by Laurence Hill, the curator of Manifestations
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Work created by artist Roibí O'Rua during an artist residency, for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
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Work created by artist Roibí O'Rua during an artist residency, for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
This 2.5 minute animated video work features much of the imagery used in the print works ie the four 'horsegirls of the apocalypse' (famine, death, war and pestilence), the 'tranny' supreme and the three Trangender muses. It also highlights some of the details from the prints such as the guillotine cock ring and the enforced feminisation of cishet men.
This video was generated using the 3D modeling software blendr and has a deliberately kitsch aesthetic and deeply glitched aesthetic that draws on hyperfeminine imagery and game design. It has a cpmposed soundtrack by the artist which incorporates games console start up sounds.
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Work created by artist Roibí O'Rua during an artist residency, for 'Full Stack Feminism in Digital Humanities', a project funded by the AHRC and the IRC, part of their ‘UK-Ireland Collaboration in the Digital Humanities Research Grants Call’ (grant numbers AH/W001667/1 and IRC/W001667/1).
These seven artworks were printed on A1 foamex board and exhibited in the Manifestations exhibition in two groups. One group features each of the four 'horsegirls of the apocalypse' (famine, death, war and pestilence) and the second group is a triptych featuring three Transgender muses and the 'tranny supreme' here appearing as a DJ.
These satirical works imagine the result of the upcoming 'tranny apocalypse' much feared by transphobes.
These works were generated using the 3D modeling software blendr and have a deliberately kitsch aesthetic that draws on hyperfeminine imagery and uses text as a background
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Photograph of objects related to the 'Full Stack Feminism in Digital Humanities' team creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
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Photograph of objects related to the 'Full Stack Feminism in Digital Humanities' team creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
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Photograph of objects related to the 'Full Stack Feminism in Digital Humanities' team creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
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This PDF contains the written responses generated by team members during a creative writing session facilated by Sarah Lee.
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Photograph of objects related to the 'Full Stack Feminism in Digital Humanities' team creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
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PDF document which provides an outline of the creative writing session held at the Sussex Digital Humanities Lab, at the University of Sussex.
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PDF document which provides details of writing prompts for the Full Stack Feminism creative writing workshop, held at the Sussex Digital Humanities Lab, at the University of Sussex.
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PDF containing Sharon Webb's written responses to three objects brought by team members of Full Stack Feminism to the creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
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Photograph of objects related to the 'Full Stack Feminism in Digital Humanities' team creative writing session, held at the University of Sussex, Sussex Digital Humanities Lab, June 2023, facilated by Sarah Lee. Team members were asked to bring along an object that represented their journey in the Full Stack Feminism project.
